Jul 272011
 

Remember that equation “Goblins + (Fire and/or Explosions) = Hilarity!”? Yeah, still holds true.

Here’s my one new piece of art in Magic’s 2012 core set – the Goblin Fireslinger.

Goblin Fireslinger Final Art

Here’s the art description –

Goblin Slinger
Location: Arid mountain region, perhaps near a goblin camp or cave
Action: Show a goblin swinging a some kind of goblin sling weapon, in which is a red-hot sling-stone. He looks viciously at the viewer, as if he’s about to bean us in the head with that stone.
Focus: The goblin slinger
Mood: An irritating little bugger!

And here’s the sketch. Sometimes I hand in black & white sketches, but sometimes I like to go with a color one, especially if the lighting is important to the image. Here’s that sketch –

Goblin Fireslinger Sketch

I imagine the goblin is on the opposite side of a narrow ravine filled with molten lava. The rock formations at the extreme lower left and lower right are rock bridges and the goblin is doing a fine job of protecting them both. However, it looks like at the moment of this image he’s decided to take the fight to the viewer and is beginning to launch himself across the ravine for a little ‘face-time’. And by face-time, I mean ‘face meets burning rock’.

As you can see, most of the goblin drawing is unchanged from sketch to final. His coloring underwent a big transformation because the hot lighting (from the unseen molten lava) was strengthened. This meant the green of the goblin felt more and more out of place with the ambient light in the image so his skin tone was shifted to yellow with warm brown shadows. Because all color is perceived relative to its surroundings, your brain tells you the final version of the goblin is more green that he actually is. Color is a tricksy evil swine sometimes. Ask any artist.

And talking of color, take a good look at his eyes. The center of his pupils are a brilliant blue.

Baby Blues

This might indicate the color of whatever he’s looking at reflected there but it’s really me using the strikingly out of place color to make his eyes more piercing, and that little bit extra crazy.

Oh, and bonus points if you noticed the ear on his swinging side is shortened and capped with a singed stump. Hey, swinging burning rocks ain’t easy and every goblin learns it one way or another!

  One Response to “Burning for a Goblin?”

  1. You nailed the art description

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