Currently, I’m working my way through Boneshaker by Cherie Priest. Good harrowing zombie steampunk fun.
I really enjoy steampunk. Its aesthetic is immediately inviting, balancing the fashions and architecture of an amazingly elegant (IMHO) period with a technology that is both more wondrous and more graspable (physically and mentally) than the modern day real world. Indeed, the continuing miniaturization of gadgetry makes imagining a realistic – but visually pleasing – future increasingly difficult. What does a cyberpunk world hold and how can an artist make it both believable (at the current pace of technology) and somehow convey what it’s like to exist in a nano-tech controlled world where so much of what makes life fantastical by today’s standards would be invisible to the naked eye?
Even though I’ve been aware of steampunk since before it made the leap from a concept to a subculture, I’ve never actually drawn anything steampunk. Sure, some of Magic’s self-described ‘mage-punk’ comes close but that’s still a fantasy world of wizards and goblins. How much fun to jump back to a world of stiff collars and even stiffer upper lips!
And one slice of (admittedly far flung fantastical) steampunk I avidly follow is the wonderful Girl Genius comic book by Phil & Kaja Foglio, two of the original Magic artists (with exceptional coloring by Cheyenne Wright).
Okay, back to reading and recuperating.